20 Years of Film: From an Ilford Darkroom to Shooting Portra 800

It should come as no big surprise that I love film photography!

Film photography is a big reason I became a photographer: I was lucky enough to attend a high school with its own darkroom, where I spent a double-block (and after school hours) honing my craft, experimenting and playing around. We had access to what seemed like a never-ending supply of Ilford black-and-white film. I even managed to shoot my first, albeit accidental, double-exposure during this time. My photography instructor (shout-out Mr Scurr!) explained how it happened and showed me how I could do it on purpose in the future. I was absolutely hooked.
I’ve been shooting film consistently for over 20 years.

Film brings a timeless, nostalgic quality that complements digital photography beautifully — it encourages me to slow down, be more intentional, and create images with a depth and vibe that can't be replicated.

This past year, I've started shooting Portra 800 (recently rebranded by Kodak as Ektacolor Pro 800 — same beloved emulsion, new name), and it's quickly become one of my favourites. The stock is known for its gorgeous tones, strong low-light performance, and vivid saturation — honestly, one of the best films for capturing our moody Pacific Northwest light.

All images in this post were shot on Portra 800.

Team film forever!!!!